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City Sign at Cathedral Plaza
Almost all of Morelia's notable sites lie in its historic center. This historic center is roughly equivalent to the original layout of the city when it was founded in 1541, and most of this layout has survived intact to the present day. Anticipating growth, this original layout had very wide streets and plazas for the time, with streets systematically arranged to allow for elongation. The streets are systematically laid out, but not rigidly squared, with most having gentle curves designed into them. Most of the grandest structures were completed during the 18th century, including the facade and bell towers of the cathedral, the Colegio Seminario (today the State Government Palace), La Alhóndiga (today part of the Palace of Justice) and numerous private mansions. During the same time period, infrastructure such as the city's aqueduct and various plaza fountains were constructed. The Mexican federal government lists 1,113 buildings built from the 16th to the 20th centuries as having historical value. The buildings encompass the various architectural styles that have been fashionable in Mexico, but nearly all are built of pink Cantera stone, which gives the city a unified appearance. Several measures were taken in the 20th century to preserve this part of the city. In 1956, the city enacted regulations to preserve the historic center's colonial buildings. In 1990, President Carlos Salinas de Gortari issued a decree making the historic center of Morelia a national historic monument. In 1991, the same area was declared a World Heritage Site by UNESCO, which covers 200 of the area's historic buildings.
Morelia Cathedral
The heart of the historic center is the cathedral and its surrounding plazas: the Plaza de Armas, also known as the Plaza de los Mártires, the Juárez Plaza and the Melchor Ocampo Plaza. The largest plaza is the Plaza de Armas, which has been remodeled several times since it was designed in the 16th century. It has been renamed several times as well, from "de la Constitución," "de la República" to the current official name of "de los Mártires" but popularly it retains the name of "Plaza de Armas." The alternate name, Plaza de los Mártires (Plaza of the Martyrs) is in honor of people like Mariano Matamoros, Guadalupe el Salto and others who were executed here during the Mexican War of Independence and later in 1830 during political unrest. The plaza is surrounded by portals, and colonial era buildings such as the Banca Promex, the Virrey de Mendoza Hotel, the Juan de Dios Gomez House and the old town hall, also called the Michelena House. Until the late 19th century, a monument to Morelos had been here, but this was removed along with the fountain and replaced by a kiosk that was brought from London and remains to this day. The last remodeling of the plaza occurred in the mid-20th century under the direction of architect and painter Juan O'Gorman. The Melchor Ocampo Plaza was originally named "Plaza de la Paz." In the late 19th century, this plaza was remodeled and a monument to Ocampo sculpted by Primitivo Miranda was placed here. Another statue by Miranda, this one of Jose Maria Morelos y Pavon was placed in the small plaza on the west side of the cathedral and named the Morelos Plaza.
The first church on the Cathedral site was built in 1577, which was a modest structure of adobe and wood. Many years later, this structure would be almost completely destroyed by a fire. Originally, the Cathedral of Michoacán was in Pátzcuaro in a church that now is the Basilica of Nuestra Señora de la Salud. When cathedral status was moved from there to Valladolid in 1580, the city became the civil, religious, and cultural capital of the territory. In 1660, Bishop Marcos Ramírez del Prado, placed the first stone of the new cathedral, which was designed by Vicenzo Barocco. Of the major churches of the early colonial period, only this and the Mexico City Cathedral do not face west, as was customary. The Cathedral of Michoacán is also unique in that it is dedicated to the Transfiguration of Jesus, rather than some form of the Virgin Mary. The cathedral was consecrated in 1705, even though it was not yet finished. The facade as a relief of the Transfiguration of Christ and the east nave is dedicated to the sheepherders and Wise Men of the Nativity. Built of pink Cantera stone, the cathedral's two 60-meter-high (200 ft) towers still dominate the skyline of the city, and are the second tallest Baroque towers in Mexico.
Decorated Plaza next to Cathedral in Morelia
The cathedral's official name is Cathedral of the Divine Savior of Morelia. Since it was built over the 17th and 18th centuries, elements of Neoclassical, Herreresque, and Baroque architecture can be seen in the building. The facade of the cathedral is mostly decorated in pilasters rather than columns and relieves rather than sculptures. There are more than two hundred pilasters but no columns, the only church built this way during the colonial period.
Inside, there are a number of elements that stand out. The baptismal font was made of silver in the 19th century and was used to baptize Mexico's first emperor, Agustín de Iturbide. A three-meter-tall (9.8 ft) monstrance made of pure silver adorns the main altar and is unique in that it can be disassembled and reassembled. Also on the altar is a 16th-century cornstalk paste image of the Señor de la Sacristía (Lord of the Sacristy), whose gold crown was a gift from Philip II of Spain. A newer addition is the organ from Germany, which has 4,600 pipes and is one of the largest in Latin America. On Saturdays at 8:45  pm the cathedral sponsors a sound-and-light show.
In front of the cathedral is the old Seminario Tridentino de San Pedro, one of the educational institutions of the colonial city. Today it is the Palace of the State Government. It was constructed by Thomás de Huerta in the late 18th century. The school had graduates such as José María Morelos and Melchor Ocampo. The facade is mostly original, with only the seal of Mexico having been added in the mid-19th century, when this building was converted for use as the seat of the Michoacán state government. Inside are three courtyards with the walls of the first courtyard covered in murals done by Alfredo Zalce in the 1960s.
Church of San Francisco
Traslado de las Monjas in the museum of the Casa de la Cultura is also the home of the Instituto Michoacano de Cultura (Michoacan Institute of Culture) and the State Secretary of Culture. It is in the former monastery of Nuestra Señora del Carmen Descalzo, which was established in 1593. The church building was probably finished in 1619, the date inscribed on the south portal, but monastery construction continued into the 17th century. In the 19th century, the Reform Laws expropriated the cloisters and living quarters but left the church to its religious function, which continues to this day. After expropriation, the monastery area was first used as the home of the Primer Cuerpo de Caballería del Estado (First Cavalry Corps of the State). Over time the church fell into disrepair but was restored in the 1940s. The rest of the complex was restored and converted to its present function starting in 1977.
The Orquidario of Morelia is an orchid museum which houses approximately 3,400 species of the flower. The botanical garden consists of three greenhouses with some outside space. The museum is managed by SEMARNAT as part of a program to preserve wild species. The botanical garden has a surface area of over 990 square meters (10,700 ft2) and was founded in 1980.
The Museo Regional Michoacano (Regional Museum of Michoacán) was founded in 1886 and its design was heavily influenced by French ideas of museum design of the time. It is housed in a building that belonged to Emperor Maximilian I, and is of ornate Baroque design. Most of the exhibits are about the history of the region with rooms dedicated to pre-Hispanic artifacts and colonial art. One noted piece is the painting called "Traslado de las Monjas" which is considered to be the finest work produced in Michoacán during the colonial period. Other important works include the original volume of the Voyage de Humboldt et Bonpland, edited in Paris in 1807 and the murals done by Alfredo Zalce, Federico Cantú and Grace Greenwood. There are also interactive exhibits on the origins of the earth and life. The museum also has conference rooms, a library, and a reading room.
The Museo del Estado (The State Museum) is dedicated to the state's past and present. It was opened in 1986 and divided into three sections – archeology, history and ethnology of the state. There is also an exhibit of the old Mier Pharmacy with its equipment from 1868. The museum is a mansion dating from the 18th century.
The Museo de Arte Colonial (Museum of Colonial Art) holds a collection of documents, old books, religious ornaments and maps from the colonial period. The museum's main attraction is its collection of more than 100 figures of Christ done in cornstalk paste. These figures were created by Indigenous artists, starting under the direction of Vasco de Quiroga, between the 16th and 19th centuries. There are also paintings done by Miguel Cabrera and José Padilla from the 18th century. The museum is in an old Baroque residence from the 18th century. Prior to the building's use as a museum, it was the site of the first official government press in the state, founded in 1821.
The Casa Museum José María Morelos y Pavón (José María Morelos y Pavón House Museum) contains a collection of items from the colonial and early independence periods of Mexico's history, including articles that belonged to Morelos himself. Morelos bought the house in 1802, but did not live there much, especially in the years just before and during the Mexican War of Independence because of his involvement with the movement. In 1933, the house was declared a national monument and in 1939 became the property of INAH to be converted into this museum. Later, the building underwent another round of restoration work and was re-inaugurated in 1991. The lower level is mostly dedicated to Morelos with the rooms on the upper level dedicated to the war in general. The museum is also the archive of the Bishopric of Michoacán and contains documents from the 16th to the 20th centuries.
Morelos' birthplace
The Casa Natal de Morelos (Morelos' Birthplace) is the house where José María Morelos y Pavón was born in 1765. The building is a large mansion with a Neoclassic facade and a Baroque interior. In 1888, the original building was destroyed to build a farmhouse. This is the building that has been restored and turned into a museum in 1964, for the coming bicentennial of Morelos' birth. The museum contains documents and belongings of Morelos including ones he signed, money he had coined, paintings and a large library.
The Museo de la Máscara (Mask Museum) presents two different mask collections, totaling more than 165 examples from cultures in twenty Mexican states. It is located in the Casa de Artesanias de Morelia (Handcraft House of Morelia).
The Museo de Arte Contemporáneo Alfredo Zalce (Alfredo Zalce Museum of Contemporary Art) mostly contains works done by Alfredo Zalce and Efraín Vargas, both renowned Michoacán painters. It also holds temporary exhibits by Mexican and international artists.
The Plaza Monumental de Morelia was established in 1951, which was destined exclusively for bullfights. Nowadays, the ring also hosts concerts, lucha libre, and weddings.
The city's aqueduct [es] was first documented in 1549. It was used to transport fresh water to the required destination so that the inhabitants of the city could access it. The water system was made of used wood from canoes in the area to create the base structure during its construction. As years passed with the use of the aqueduct constantly changing, there was an incident that occurred in 1784. The incident was that part of the Morelia aqueduct foundation collapsed, leaving hundreds without access to the water. On October 21, 1785, a document detailed the reconstruction of the aqueduct, and a man named Fray Antonio de San Miguel volunteered to make a plan for the reconstruction of the structure. With Fray Antonio's plans, they completely reconstructed the arches and added fixtures to repair the previous damage. As the repairs were completed the aqueduct remained in use until it stopped functioning in 1910; it remains standing to this day. The whole Aqueduct structure consisted of 253 arches (some of which have collapsed over the years), at a height of 700 meters (2,300 ft).
In front of the Aqueduct is the Fuente de las Tarascas, one of the most popular fountains in the city. The current version was installed in 1984.
